Some Handy Examples of How Non-Sex Working Feminists Can Aid in Critiquing the Sex Industry
Your women's studies prof:Class, do you think pornography enables male entitlement?
You:Well, according to this essay I read by someone who does porn, it doesn't make a lot of sense to just critique it as a piece of media + not a site + product of highly stigmatized labor. So, yes, it does, but that may largely be beside the point of where and how male violence occurs in relation to pornography.
That lady at your local NOW chapter:It is WRONG for men to purchase sex, therefore we must make it illegal.
You:I agree that capitalist conditions create coercive and abusive situations for those in the sex industry, but carceral solutions don't address that underlying issue.
Your younger sister:*points at a Maxim magazine cover* Isn't it wrong that there are all these sexualized pictures of women everywhere?
You:It's wrong that the male gaze is all-pervasive and our idea of the ideal woman is profoundly racist, sizeist, ableist, and cissexist. It's also wrong that these images exist within the context of a violent patriarchal culture, but the images themselves are not wrong.
Some rando in your ask box:How do we end the abuse of people in the sex industries?
You:Let me link you to this blog by sex workers advocating for workers' rights.
Your boyfriend:Why is there so much bad sex in porn?
You:Let me show you this essay on porn by a sex worker.
Your girlfriend:Stripping is exploitative.
You:Let me show you this academic article written by a stripper.
Your aunt:Dominatrices probably think they're empowered but really--
You:Here's a thing written by a sex worker.
Your grandpa:Prostitution--
You:Here's a thing written by a sex worker.
Your cat:
You:Good point, let me read you this issue of Prose & Lore out loud.
You:*signal boosts our words + shows up at rallies + emails legislators + gives orgs like Abeni + Sex Workers Project all your damn money*

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

(Source: vintagegal)

(Source: sizvideos)

Truancy | Delinquent's Spice


DS is proud to announce a brand new venue for fiction based off one or more fairytale revision. Truancy, as the name suggests, allows for less conventional folk and fairytale retellings. Perhaps “retellings” is too specific a word. I want ambitious short fiction pieces, I want people to consider not just unusual folk or fairytales to retell. I want them to create their own fairytales.

This is guided by the same ethos as Delinquent’s Spice. I want stories from the planet that aren’t hegemonic or caught up with imperialism. I realise there’s a dearth of such venues and we need new venues for short stories that build off folklore and fairytale. The difference is that Truancy stories won’t be connected by prompts, and this allows me to give writers more freedom.

Here are the general guidelines:

1. Short fiction, between 2000-3500 words would be ideal but the hard limit is 4000 words. Payment is a flat rate of USD10 per story.
2. Prose poems, stream-of-consciousness and experimental prose are all welcome in this venue. It’s called Truancy for a reason, you know? Here you get to play.
3. There may occasionally be themed issues and guest editors in the future. When this happens, specific sets of guidelines will be released.
4. The emphasis remains on marginalised voices that are strong, bold, playful and experimental.
a.I want WoC/PoC/QUILTBAG writers. This is also a disability-friendly venue. I want lesser represented, non-Anglophone cultures. I will be happy with non-neurotypical/neurodiverse characters/writers. Non-binary writers are also most welcome.
b. Although the stories accepted in this venue should be primarily written in English, I also accept Englishes, and excerpts and dialogues in other languages, so long as the meaning is self-explanatory (this is important because we don’t want your story to be clogged up with an overload of exposition. That will obscure the story AND your voice).
c. I want stories that shine with dialect, with pidgin, with improvision, with beat, and meter. Let’s shake things up here, let’s be truant, let’s start a fairytale riot.Let’s get rid of that misconception that fairytales and folktales are for the twee, and that they’re no longer relevant. We need them for every age.
4. Do read the general guidelines for Delinquent Spice in regards to inclusiveness, diversity and appropriation. They apply to Truancy as well. This is very important. Do not give me stories that demonise any minority, displays racism, ableism, misogyny and stereotypes.
5. While I use the Aarne-Thompson-Uther (ATU) specifications for Volume One of Delinquent’s Spice, they are by no means the be-all and end-all for folk and fairytales (the systems-obsessed nerd in me does like the elegant simplicity of the categories, but that’s par for the course).
a. Therefore, do look deeper into the treasures of your respective cultures to find these stories. They may exist in children’s books or in a different language. Urban legends are fine too.
b. Do let me know in your cover letter about the fairytale or tale-type you’re referencing. If there’s no available translation in English, just give me the gist of the story! If you’re making it up as you go along but messing around with fairytale/folktale tropes, do let me know as well.
6. Please read the general guidelines here for very essential requirements for both DS pubs. The submissions email address is there too with formatting instructions!

Reblogging for my readers who write!

(Source: jhameia)